"That whole third act has got to go..."
Apr. 26th, 2007 12:13 pmLast night was Satyagraha at ENO.
Philip Glass has done lots of good work. His obsession with triplets means that if you play me some, I can go 'oh, that's Glass' but also means, with a few exceptions, I can't say which piece.
For me, Satyagraha is not his best opera, because it's too uneven.
Act one is a B, act two is A with the first scene ('Confrontation and Rescue', AKA - by me at least - 'ah-ha-ha') A+, but act three is D at best (the 'ba-ba-ba' section I'm not sure has a proper name) and most of it is E ('here's a scale I like a lot, look, it goes up and down, up and down, up and down...')
So, especially as it was being directed by Improbable, I had to see it, but did I have to see all of it?
And the answer is.. ( Read more... )
Philip Glass has done lots of good work. His obsession with triplets means that if you play me some, I can go 'oh, that's Glass' but also means, with a few exceptions, I can't say which piece.
For me, Satyagraha is not his best opera, because it's too uneven.
Act one is a B, act two is A with the first scene ('Confrontation and Rescue', AKA - by me at least - 'ah-ha-ha') A+, but act three is D at best (the 'ba-ba-ba' section I'm not sure has a proper name) and most of it is E ('here's a scale I like a lot, look, it goes up and down, up and down, up and down...')
So, especially as it was being directed by Improbable, I had to see it, but did I have to see all of it?
And the answer is.. ( Read more... )